#can i mention how much i LOVE these drawings

[penelopedreadful]

Listen, I adore Scribblenauts with all my heart... but Drawn To Life will always be my favourite.

Scribblenauts is a fun puzzle game with a lot of creative freedom to solve puzzles how you see fit, but the creative parts of Drawn To Life have so much more of a personal touch.

Making your own character, weapons and making parts of the scenery always feels amazing. You can take it as seriously or non-seriously as you want. You can make silly, goofy aesthetics or try your best to make them blend in, and the overall graphical style is beautiful as well.

Not to mention Scribblenauts doesn't really have much of a story to it, which some people like, and I can't fault anyone for wanting something simple and non-committal. However, the amount of heart and impact to the stories across the Drawn To Life series is inspiring.

This is the game that introduced me to grief, loss, religious doubt, hope in the face of impossible odds, and every character shines in a way that not only makes them all lovable in their own ways, but also works off your character to make them feel seen and interacted with as part of the world. They already had their gimmick, they could've just gone "platformer but you draw the character" and shipped it, but the story they build around it makes it feel like so much more than just a gimmick.

No disrespect to Scribblenauts. I love that game a lot, but it's an absolute shame it tends to overshadow Drawn To Life so greatly, and I would give so much to see this series come back from its Mobile-fication in Two Realms and be as strong as ever, as unlikely as that is.

you couldn't possibly know the pain i bear

[festering-obsession]

CW: emmrich smut, fluff, gender neutral pronouns, afab genitalia, implied age gap, reader is rook but no name is mentioned

It's evening at the lighthouse, the sunlight leaving its last embrace onto the world as it filters into Emmrich's room. You gaze upwards towards his spiral stairs, barely able to catch a glimpse of the soft glow.

But, the sun is nothing compared to how he has you in his lap. Nothing compares to him, it feels like. Thankfully, Manfred was busy exploring around, messing with Assan or following Neve, giving you much needed alone time with his "father" of sorts.

He presses kisses onto your neck, your back against his chest. His ringed fingers glide down your clothes, slowly undoing them. You feel your breath quicken, rubbing your legs together. It had been a while since you last had intimacy with him, defiling eachother in that coffin.

"My dear, you've been so stressed as of late..." He says slow, you can feel his mustache tickle your neck. "Let me take care of you? Hm?"

You nod eagerly, feeling a hand dip down under your waistband. His fingers gliding over your folds. His other hand, cold against your warmth, trails into your inner thigh.

"Don't, don't leave me hanging..." You breathe out as his hand explores, your body reacting to his touch.

"And do what exactly?" He asks with a smirk, kissing your shoulder. "Use your words, my dear."

You grip his pants, shuddering. "Please just fuck me, alright? I need your fingers, please."

"Such a crude way of asking, but, I don't think I could ever deny you." And you finally feel his fingers begin to move again, slowly against your lips.

He's always cold, not surprising given his work. But, your body always warms him up, something he loves about you.

His hands find a way to your clit, throbbing with need, begging for his touch. His fingers rubbing against the bud as your grip on his pants tighten, words falling out your mouth.

"Please, don't stop..." You hiss out as his fingers continue, working and winding you up. His fingers finally press in, working their way into your walls, pumping in and out with a slow, steady rhythm.

"Tell me if it's ever too much, darling." He whispers as his kisses against your neck, trailing down to your shoulders.

You nod, eyes shut in pleasure as he continues, his fingers curling and spreading you open, in all the right places. Your legs shake as he continues thrusting his fingers. His other hand rests against your midsection securely, drawing circles against your skin.

You moan out his name faster, clenching down as you feel yourself close. You feel him speeding up his pace, his fingers curling into that spot that makes you lose control.

It's not long before you come around his fingers, pressing your back further into his chest as you ride out your orgasm. His fingers finally leave you, slick and sticky.

You whine as he leaves you, feeling emptier by the second. But it's not long before you realize what was pressing hard against your back.

"Emmrich... Let me help.." You whisper, bare chest heaving.

"You've done so much today, I wanted this to be about you." He denies earnestly as you turn around his lap, wrapping your arms over his shoulders. You kiss him quickly as you grind down on his lap, his hands resting on your hips.

"Let me take care of you, Emmrich. Besides, if I don't, I think I'll lose my mind." You laugh against his lips.

You slowly rise up from his lap before sitting down on his desk, folding your legs neatly and tilting your head to the side.

"Come on...." You giggle as his face turns red, but you can see how his eyes travel your form.

"I believe you'll be the death of me one day." He finally says as his rises from the seat approaching you on his desk, leaning over you as his arms plant themselves down on both of your sides. You grab his vest and pull him down to you, kissing him again eagerly.

His hands slide down your hips and to the inner of your thighs, parting them from eachother. You gasp against his lips before he closes the gap again, kissing you deeply.

His hand works you up again, exploring the outer of your lips, tentatively adding a finger inside preparing you. He curls it inside once more, before sloppily rubbing your slick over your folds. You hear him unzip his pants as his lips explore your neck, leaning your head to the side.

"Are you sure?" He whispers against your neck.

"Yes, Emmrich... I'm always ready for you." You affirm again as you look up into his eyes, laying down onto the wide expanse of his desk.

You feel the head of his cock enter, before slowly pushing in fully, his grip tight on your hips as he guides himself further in.

"You're always so warm... wrapped around my cock.." He groans out. "You're always so good for me, aren't you?" He whispers out as he bottoms out.

You grip the edges of the desk, desperate for anything to help secure you as you begin to feel him thrust in and out of you, slowly, deeply, giving you a chance to adjust to his length. You feel him move against your walls, stretching you out deliciously so as his other hand ghosted down to your clit, rubbing and touching it. Times like this made you so glad he knew anatomy, and how to abuse that knowledge.

"Fuck, keep going, please.." You say, legs shaking as they wrap around his waist. His other hand stays steady on your hip as he thrusts faster, matching your increased need as the desk begins to shake, paper and books falling off the sides.

"You like how I make you feel?" He says, voice smooth and velvety. "Only I get to make you feel like this, don't I, dear?"

You're unable to form words. Only moans fall out of your mouth as a response, which only brings a smile to his face. His hand dug so tight onto your hip it would probably form a bruise, not that you would mind.

You can only hear his hushed moans along with yours as his thrusts echo throughout your body. His disheveled appearance, proud of the fact you made him like that.

Your hands grip tighter onto the desk as his pace fastens, both his hips and his diligent fingers. His thrusts grow sloppier and faster as he chases to fulfill both of your needs.

His fingers tease and rub your clit faster as his hips meet yours eagerly, each thrust bringing you closer your mind-numbing peak.

"You know how devoted I am to you, my dear..." He says as he continues to ram inside of you. "If I could, I'd worship your body everyday."

You nod numbly, already lost on the brink of your orgasm, still sensitive from the first one. And then, it finally snaps as your back arches, crying his name. He follows soon enough, his warmth spilling inside of you.

As you lean up, he wraps his arms around your waist to steady you. "Dear, are you alright?" He whispers.

"Fucking amazing.." You whisper as you lean against his chest, barely able to slip your shirt back on. "We should let Manfred play with Assan a lot more if it means I get to see this side of you."

"As charming as the griffon is, his talons near Manfred make me nervous." Emmrich replies, his tone still light.

"I'm sleeping with you tonight. In your bed, I mean. Not that I'd particularly mind going again, but I plan on my legs not being sore for tomorrow." You nod at him, smirking.

"You keep me young." He chuckles as he draws you into his arms, hands gliding over yours comfortingly. "How did I get so lucky?"

"You mean how did I get so lucky?" You reply back, fully leaning into his touch.

He flusters, a welcome sight from his usual proper appearance. "Let's get cleaned up, shall we?"

...

A/N: LETS SEXUALISE THAT OLD MAN!!!

[ultrainfinitepit]

You mentioned in the latest Pride Angels update that your next campaign, the Themed Monsters one, will be your final. Out of curiosity, why is that?

I won't say it's my final campaign forever but it is my final planned campaign. I have a few reasons I guess.

I have a finite list of pin ideas. The only other idea I had for another campaign was to make Dungeons and Dragons pins, but when I ran a poll for that I got insufficient interest. So I'll just plan to make them on my own as a very small batch.

I initially started making pins because I ran out of angel pins to collect. But now I've made a ton, and lots of other artists make angel pins too.

My shop profit is getting less and less each year and no longer justifying the time I'm putting in. My shop sales are down at least 80% compared to last year.

Pins are made in China so if tariffs go into effect, it will effectively kill my pin business as well as others.

There's all these reasons and also that after putting so much time and effort in to all these pin campaigns, I'm feeling pretty burnt out.

I miss drawing just for myself. I have been in the mode of drawing for customers for so long, I'm not sure how to draw for myself anymore. I hope I can rediscover that; or take a break from art and catch up on other things, like video games and D&D.

But I do still love pins and running my shops so, I think I will always be doing at least a little bit of that, just not at the same pace or scale of the past few years.

I bet you didn't expect such a long response Anon, but I hope this helps explain what I'm thinking :))

[chatonarya]

I love Enciodes's module. It adds so much to his character. It paints such a vivid picture of this lonely, grieving, frustrated, hurting youth, who nevertheless doggedly kept the spark of hope and idealism alive in his heart.

It's called "Snow Realm Fowlcare Kit," and is told from the perspective of Enciodes's perpetual companion: Tenzin. The image depicts an assortment of bird-related paraphernalia which Enciodes used (and perhaps still uses) to take care of Tenzin.

When it awoke, it found itself lying in a warm room. The unfamiliar environment frightened it and it wanted to leave, but it was in so much pain it could not move. The door opened, and through it strode a Feline boy with silver hair and a thick tail. He approached it with liniment and gauze in hand, applying the medicine in the bottle to the wound before bandaging it up. It struggled a little at first, but was too weak to do anything but accept the boy's treatment before falling into a deep slumber.

We open with how the two met: Tenzin awakening in Enciodes's room, afraid and hurt. Tenzin is first introduced to Enciodes with an act of kindness: cleansing and wrapping the bird's injury. We don't know what kind of injury it is, but considering how Tenzin is in pain too overwhelming to even move, I can only presume it's a grievous wound for a young bird, likely one which would lead to the creature's death if left untreated.

So right off the bat, we have the impression that Enciodes is the kind of the person who would come across a severely wounded animal and rescue it in the hopes that he might still be able to save its life. While Enciodes himself draws a distinction between his childhood self and his adult self, not unreasonably, this is something that we can still see the glimmers of--positive and negative--in him later on, not only in the way he saves Degenbrecher but in the way he seeks to save all of Kjerag from ruin.

On the second day, the boy took it back to where it had been found. They wandered through the woods for an entire day until the boy was exhausted and gasping for breath, but in the end found only the remains of two adult fowlbeasts. He built a small grave for them, then turned to it and said: 'Now, both of us are in the same boat.' The boy took it back to his room, and the tiny nest inside became its new home. The boy would come check on it every day. He liked to gently wipe its plumage while chatting with it, unconcerned with whether it could understand him.

Enciodes was so determined to return this baby bird home that he spent the whole day searching to the point of exhaustion to try to find Tenzin's parents. Not only that, but when he found them dead, he took the time to build them a grave. It's so sweet and pure of him to spend his time like this for a mere bird, particularly as we can see by the mention of them being "in the same boat" that this happened not long after the accident that took Olafur and Elizabeth. No doubt, struggling to cope with grief is what sent Enciodes wandering in the woods and finding Tenzin in the first place. And immediately, he finds this to be the point of connection between them: they're both orphans now. I can't help but wonder if Enciodes building a grave for the dead birds was a form of closure for him--Olafur and Elizabeth died in a train accident. Was there anything left of them to bury at all (if the Kjerags bury their dead)? Possibly not. At least he could give the birds a proper send-off.

And with no other choice, he doesn't hesitate to bring Tenzin back home with him, resolved to care for this feeble creature that he rescued, because who else would? They're in the same boat, after all.

It's also clear that caring for Tenzin gave Enciodes a much-needed psychological outlet, a form of healthy distraction from the many burdens on his shoulders and the loss of his parents. Looking after an injured animal even more helpless than himself and wholly dependent on him must have been a form of therapy and comfort for him, especially because it was someone he could talk to and who would listen and not judge him. Every single day, without fail, he wiped Tenzin's feathers and presumably changed the dressing of its wound, talking to it about his troubles--because he had no-one else to talk to.

...... Like that one night, when the boy approached it with a sullen face and said: 'I'm confident I have what it takes to be a strong clan leader or a good brother, but I cannot guarantee I can do both at once.' The boy sighed as he spoke. He contemplated for a long time, before finally running off to return with a box that smelled nice. Inside was his sister's favorite dish.

This one stings, and it wouldn't surprise me if this is foreshadowing for the final reveal of what was the argument between Enya and Enciodes the night before she went on the Saintess's trial. Enciodes, who has been groomed to become the clan's leader since virtually the moment he was born, has come to the painful realization that he has to choose between being a good leader and being a good brother, because he cannot do both at the same time.

This plays into a recurring theme in the Kjerag stories: choosing between family and leadership. We've seen it in the conflicts between the Browntail sisters and how they envy each other's position but most clearly with how Ratatos feel hollow and deprived of her sister's mundane happiness; in the way Arctosz chose to send Tatyana and Rosalind back to Ursus, as even being leader of Paleroches wasn't enough to guarantee their safety after the Silverashes were targeted; in the way Enciodes complains as a child that his own father can't even smile when he's with his family; and of course, in the ongoing conflict between Enciodes and Enya and how they must set aside their blood relation to each other in their leadership roles, and how those leadership roles further divide them from each other and from Ensia.

While for now, as he retrieves Enya's favorite dish, Enciodes is trying to do what he can for his sisters while he still can, we know his choice is a foregone conclusion: he chose to become a strong clan leader over being a good brother. Ultimately, he chose the clan and chose Kjerag as a whole over his relationship with his sisters, no doubt in part because he believes protecting Kjerag from the threats posed by the outside world is the best thing he can do for the country and for them as a whole, and in part because it was always his dream that Kjerag should, could, and would be more, as is seen in Gnosis's oprec. Enciodes has always been dissatisfied with Kjerag's standing in the world, and has always wanted to change this.

But we see here that as I said in my previous essay, he did not make that decision lightly and it was a decision that caused him emotional anguish. This module as a whole, as well as Gnosis's oprec, demonstrates painfully clearly that Enciodes was a normal child. He had his dreams, his quirks, his interests, his struggles--and he did, in fact, care about his family a normal amount. But he was forced to make a choice, and make a choice he did.

...... Like that one afternoon, when the boy approached it with a tinge of melancholy in his voice: 'I want to graciously wish Gnosis success on his new journey, yet I selfishly hope for him to stay.' Perhaps because he had been bottling it in for so long, the boy spent the next half hour explaining to it the situation of the Edelweiss clan, the difficulties facing Gnosis, and his reluctance to part ways with his best friend. In the end, he sighed again and said, 'Alas, you're the only who can hear me out. I'd better think of a farewell gift for him now.'

I talked about this in-depth in another post, so I'll try not to repeat myself. I'm glad to see it explicitly stated that Gnosis is Enciodes's best friend; likely, at this point, still his only friend, too. It breaks my heart how Enciodes is so stressed and has been bottling up his feelings about Gnosis in the wake of the blame being pinned on the Edelweisses that he pours his heart out to Tenzin for half an hour. Tenzin is the only one whom Enciodes can talk to about the Edelweisses and their hardships, which underscores just how bad their situation in Kjerag was and how awkward Enciodes's position must have been as the ostensible victim of theirs. It must have been difficult for Enciodes to even go on seeing Gnosis, much less openly associating with him as the son of his parents' murderers, after everything happened.

Enciodes knows the polite thing to do is bid Gnosis good luck going abroad, but he's unable to do this just yet because he selfishly, desperately, hopes that somehow Gnosis will stay. This is how much Gnosis means to him: even though it's possible that Gnosis's life will be in danger if he remains in Kjerag, his companionship is so important to Enciodes that even knowing all of this, even knowing that the Edelweisses are at the epicenter of all of Kjerag's hatred right now, Enciodes still wishes he could stay. He doesn't want to be alone. He doesn't want to be without Gnosis--his one friend, the one person who shares his dream and the one person who understands him and with whom he shares a deep connection outside of his family.

But alas: there is nothing Enciodes can do. He can't keep Gnosis there. Sooner rather than later, he has to bid Gnosis good-bye, and make him that promise one last time, "I'll come find you," probably fearful deep down that they'll never see each other again.

I wonder, also, what was Enciodes's farewell gift to Gnosis. (I'd be over the moon if Gnosis's second module was about this.) Gnosis probably gave him one of the traditional Edelweiss family knives if he hadn't already, but what could Enciodes give him? Something to remind Gnosis of him, their friendship, their shared dream, their promised future together.

...... And like that day when its wounds healed, and the boy took it out to the snowy plains to practice flying. When it was about to take off, he took out a black silk scarf, tied the fabric around its neck, and asked: 'Will you come with me?' —At that moment, the boy had already decided to set aside the burdens of being a clan leader and depart from the Snow Realm to study abroad. It simply cocked its head and looked at him. Of course, it did not know what the boy was worried about, why he was anxious, or why he was sad. But perhaps, it sensed that the boy, just like it, did not wish to stay confined in a warm room. He wished to soar beneath the blue sky— It spread its wings and leapt forward. Then, to the boy's happy, surprised shouts, it took off with the wind. On that day, it learned to fly once again.

As soon as Tenzin's wounds have healed, Enciodes takes it out to practice flying. If Tenzin was just a baby when Enciodes rescued it, it never even had to opportunity to learn to fly from its parents, but Enciodes is clearly resolved to find a way anyway, or maybe believes that Tenzin will somehow be able to do it through instinct. Yet first, he must ask it a question, as he's already made up his mind to continue on the path he'd previously chosen.

I love how he straight-up asks Tenzin if Tenzin will go with him. He's cared for this bird for probably weeks, spoken to and petted it on a daily basis, given it a home because it has no other--for all intents and purposes, it belongs to him now and will never be able to survive in the wild again, and even the scarf he ties around its neck can be taken as a symbol of ownership rather than a token of affection. Yet still, approaching the verge of departing Kjerag, he sees fit to ensure Tenzin can fly and has its own free will to choose whether or not it wants to go with him. Undoubtedly, Tenzin went with him to Victoria, and I'm sure Enciodes was happy to have his beloved pet as company in an unfamiliar country, particularly given how nervous and uncomfortable he is there.

It's beautiful as well how Tenzin is a metaphor for Enciodes himself in this last section. Through their long time together, even if Tenzin doesn't fully understand Enciodes's words or complex problems, it understands his emotions, and shares his joy and his sorrow. And through this bond, Tenzin feels that Enciodes, too, longs for freedom, for more beyond the comfortable isolation and willful ignorance of Kjerag--he, too, wants to fly. And Enciodes's determination, however battered, is inspiration for Tenzin to fly once more. They're one and the same in this last moment: two creatures both wounded albeit in different ways, seeking the earliest opportunity to spread their wings, literal and metaphorical.

(Here I must also note that this bird metaphor and seeking of freedom is a potential callback as well to Gnosis once more, as he also receives similar imagery in his EP and his oprec.)

And as Tenzin takes off, we know that Enciodes will soon take off as well, perhaps inspired in turn: the greatest changes to his character and person, not to mention the beginning of his practical experience and the true real foundation of his great endeavor, began when he departed the "warm room" of Kjerag and went to Victoria. As Tenzin learns to fly once more, Enciodes too will also learn to fly.

Reading the module, it's abundantly clear now why Enciodes is accompanied by Tenzin at almost every turn. Not only does he love Tenzin so much, he's cared for Tenzin since Tenzin was a little chick, and Tenzin chooses to go with him wherever he goes. (Similarly, I think I can say my headcanon of Enciodes lovingly choosing Tenzin's bandanas to match his own outfits is more or less confirmed.) They're inseparable companions.

It's also incredibly sweet how reading this, we can see that much as Enciodes hand-raised Tenzin, Tenzin has also watched Enciodes grow up: from a frustrated child into the powerful adult he is today, listening to his thoughts and secret worries all the while, at many instances being his sole comfort and confidante. I'd like to think that Tenzin harbors just as much affection for Enciodes as he must hold for it...

[vole-mon-amour]

2x02, part 2.

the way Sevika is STILL loyal to Silco, even though he's dead and she doesn't have to. i saw some spoilers, but I'll say this as if I haven't: the way she doesn't like Jinx, never did, but tried to help Silco understand Jinx being upset and how she'll get around. she's loyal to Silco, therefore she's loyal to Jinx.

gosh, I love Sevika. she truly is trying her best to fill Silco's place. she was his loyal guard dog for a damn good reason.

her expressions!! let's go, Sevika, let's go. the animation is so good. it's so subtle, so smooth, you gotta pay attention to the frames.

there's something so special about both Sevika and Jinx still hanging out at Silco's office, and both Sevika and Jinx talking to Silco. i'm pretty sure Sevika didn't know that Jinx is there, so she spoke out loud, but she knew where to aim WITHOUT HURTING JINX (!!) because Jinx hang up there often enough for Sevika to remember.

listen, I have 4 favourite characters in this series and that always was the case: Silco, Jinx, Sevika, VIktor. i love them with all my heart. Sevika was always such a great character & she deserves way more love.

poetic cinema.

just shows how truly important he was, what a strong grip he had on Zaun.

i like how when Sevika throws a piece of furtinure in her outburst, Jinx doesn't even BLINK, not to mention flinch. the way they are connected to Silco and how well they truly fit (for the lack of a better word) him.

the little scowl. babygirl, i love you so much.

baby girl. baby. this is such a cool little representation of how their process looks before they draw frame by frame/animate the thing to look smooth.

i hope Jinx kicks their asses. the fact that she's coughing but she can STILL breathe in this, just like Silco did when others couldn't. take off your masks, assholes, let's see how you can handle this gas.

honestly, Vi, this is such a dirty move. you never wanted to accept that Powder was always Jinx and Jinx was always Powder. Silco loved Jinx. you? maybe, in your own way, but maybe, mostly, the idea of your little sister? because Silco would NEVER do this. he accepted Jinx for who she always was and is. if he didn't, he wouldn't allow her all those things that got him in trouble and never wouldn't give her all the materials and all the playground that she wanted.

the coughing, crying, screaming fit. i'm so :_; for her.

"Baby Blue. Right through their fingers. You must be part eel."

And you must be a whole piece of shit, beating Jinx with such hatred for all those years you couldn't bring hard to her because of Silco.

i just want to hug her and hold her tight. she's the best girl ever.

LET'S GO, THE TWO CLOSEST PEOPLE TO SILCO EVER. LET'S GOOO.

i LOVE that Sevika tried to use Jinx's gun, but Junx fixed Sevika's arm, so they exchanged the weapons. Sevika managed not to only throw Jinx her gun, but managed to catch the arm. i also love that Jinx can shoot that gun without even looking. this is a symbiotic relationship that i currently ADORE.

i'm in love with this. <3

this is adorable and made me smile so much.

the smirk. the music. the babiest baby of all babies (the baddest bitches ever).

i'm pretty sure Sevika will hate the adjustments that Jinx made to her arm but hey. it's a free fix :D it's almost 2 am and here i am, smiling. i love this show so much. i didn't know i could have so much fun with it without Silco. it's a new vibe completely.

this is BADASS.

there are SO many expressions in this little scene, i couldn't possibly fit it into this post. yeah, i'm completely in love with this so far.

babygirl, please, i am begging you, destroy Vi. Silco aka her family is gone, Vi is being an asshole to her, so she's ready, more or less. let's fucking GO.

love seeing Jinx and Sevika communicating. love the "you've got that look in your eye again, what are you planning?" which simply shows you how well she knows Jinx.

also,

"i haven't asked you for this" "it was something I could fix."

aka it was no trouble for her. she loves the mechanical stuff. she does it with ease. Sevika's strong side is the brains and brutal force, so they work well together.

[seikkoi]

ꜱᴜɢᴀʀ | dom!tony stark x sugarbaby!reader ( ᴄʀɪᴍᴇ!ᴀᴜ )

ᴘᴀʀᴛ ꜰɪᴠᴇ [1, 2, 3, 4] | ʀᴇᴀᴅ ᴏɴ ᴀᴏ3

There was nothing that could keep Tony from having exactly what he wanted—and he deserved a little sweetness in his life. All he had to do was keep from ruining you in the process.

content/warnings: 18+ minors do not interact. non-canon, non-superhero au, sub/dom undertones, slight emotional/verbal manipulation, obsessive + possessive behavior, age gap (reader described as mid-twenties, t.s as mid-forties), mildly dubious consensual situations, explicit mentions of alcohol and drug use, generally not for the light of heart, rough sexual content, reader described as petite word count: 9.8k

There isn’t any conversation surrounding Pepper’s visit, or the divorce, but it’s all around you regardless.

Random items disappear from the penthouse–a Pollock (your present takes its place), some throw pillows from the study, and a few Turkish ceramics you never knew existed. The phone rings far more than you care for. Tony has far more meetings than you care for. A bespeckled lawyer and his blonde associate nearly become housemates, spending hours behind the frosted glass door. Natasha makes a few appearances as well, which confuses you the most. You find the spice in her perfume too bold.

On her third exit in as many weeks, you question Tony on it. He absently traces patterns on your calves, seemingly not paying attention to you or the film on screen. 

“Should I be worried?” you hide your sincerity behind a glass of wine, twirling the stem between your fingers. The red liquid mirrors the motion inside, spidering against the walls.

“About Natasha?” he asks incredulously. 

“Yes,” you draw out, “and you–all of it, really.” 

“Now why on Earth would you be worrying about me?” 

You would love to point out the obvious and address the building-sized elephant in the room that says  ‘you’re recently sober and just got a divorce’ but the look on his face tells you it’s unnecessary. 

Tony finds a way to answer the unasked anyways. 

“It’s a shit ton of paperwork, and signing things, so it’s annoying, yes but I am fine. Scouts honor.” 

He kisses your hand and grins with all the confidence in the world. It’s so fucking arcane each time–close to magic in how it undos every worry and mirrors his gleam. 

You wished it had more permanent effects. Something long-lasting and memorable. Easy to spread over the evening and into the early morning hours, when he’s inconsolable in your arms. You could turn it back into magic words. Banish whatever miasma racked his body and go back to peaceful nights (because you had those at some point, right?).

Being able to ask the hard questions doesn’t mean shit if the answer’s always a dismissive work of fiction. You never learned what caused their separation, or sent ‘everything to shit’ as Tony put it. Not because you didn’t ask, no that question came the same night Pepper did.  Apparently it’s the same driver of every modern American divorce–money. Tony summarizes the event as a fatal disagreement over corporate shares, though like always you feel you’re being told an official story. Clean cut with all messy details chopped away. 

“You don’t have a signature stamp at this point?” you joke.

“Oh no,” Tony’s hands brace your ankles to pull you closer, “ every squiggle needs to be authentic and fresh.”

“Right, how could I assume anything less.” Your eyes roll but you let your legs drape over his lap. 

“Seriously, I’m doing fine–things will calm back down soon.” A gentle squeeze drives the point home. 

A thought crosses your mind. An insecurity, really, but one you haven’t let go since meeting Pepper.

“If it’s like, I don’t know,” you hesitate under Tony’s raised eyebrow, “–I can head back to my apartment if it’s too much.”

Stark Industries was still footing the bill even though you spent less than 10 hours there in the last two months. There’s a fear in overstaying your welcome, or whatever it is you were doing here. Either way, you figured it was less than ideal to have your girlfriend around during a divorce. 

“If what’s too much?” 

“I don’t know, if you need your space right now or–” you answer exasperatedly.

“Honey,” he gives a hearty laugh, “if I ever start asking for space, call a doctor.”

All resistance becomes futile.

You keep your apartment (for unnecessary security), but more time lapses between visits. You issue a long overdue farewell to bartending. Even being driven, the commute to that side of town is hellish and the whole thing got more pointless with each day. You drank in the fruits of this life, but not without a tiny bit of unease. It’s unease that you bury down under all the other feelings. The affection, the simplicity, the serenity. So you swap mixers for paintbrushes and solitude for the man you love. 

Other subtle changes require a quicker adjustment, but you’re getting dangerously good at adapting. With Tony’s birthday past, you recognize a pattern to Harley’s visits. Every three months like clockwork. You begin to anticipate them well enough, and start appreciating his occasional presence during your early morning tea. By his third appearance, you brew two cups.

On the first visit he barely utters a word. You were ready for some witty insult that never came, and offered him a cup in silence. You want to ask why he arrives so early just to sit in his father’s kitchen, but opt for peace instead. 

Once Pepper’s placard is gone in the parking garage and Natasha stops showing up (at all hours of the day, atleast), he’s there a second time. 

“How he’s doing with the,” he trails off, peering at you over an empty mug as the sun starts to break. He doesn’t need to motion at the empty space for you to pick up his meaning.

The official story is dancing on your tongue. The one you’ve told two times over at this point (Jarvis, Natasha). He's perfectly fine, better even. It was a piece of cake then, but now you can’t seem to look Harvey in the eye and speak in half-truths. 

“Honestly,” you sigh, “Good–not good, I don’t know.”  You were dying under  the irony of it all. Consoling Tony in the darkness of morning and then watching him make million dollar deals by noon. You don’t know how he’s managing any of it, and if any of this qualifies as okay. 

Green eyes blink slowly through an overgrown fringe. Barbers were clearly scarce in the last three months, wherever he spent them. Exhaustion forces a yawn before he speaks again, pinching his nose. 

“Figured as much.” Harley stands for the sink.

He goes through the labor of washing the ebony cup, a rare quirk amongst the obscenely rich. You’d learned they are very reliant upon their quiet servants. You wondered if he did it out of modesty or good manners.  

“Do you know why they separated?” If he was in the mood to talk about Tony, you weren’t going to pass up the chance.

“Uh, something with the company, her share or whatever. Always about the money with them.” he answers casually, tossing a look over his shoulder. 

It’s genuine enough, but all too similar to the rehearsed lines. You half-expected him to call you nosy. 

“No real loss there.” Harley adds, a hint of disdain in his voice

“Not a fan I take it?” The flimsy tag finally crumbling under your ministrations.

He chortles as he slumps back into the bar stool. 

“Pepper can be, uh,” A yawn and an eye rub take precedence, “overbearing, yeah that’s a good word for it.”

“Yeah, can’t imagine that worked well for Tony.” You murmur into your tea.

“Oh it most definitely did not.” Harley laughs again. “Not for a guy that does the opposite of whatever you tell him.”

His laugh is infectious (like father like son), and you smirk even though instead the mental picture makes you cringe. A lull passes between you. Outside, morning traffic begins, trickling upwards to interrupt the quiet. It cues Harley to get back to whatever it is he comes here to do, while you move on with the day. 

As an advantage of all the free time, you get to invest more time in your estranged friendships. Being around old friends turned out to be surprisingly good. You had anticipated more awkwardness, but there was something comforting about not having to wear a mask for once around someone besides your boyfriend. 

At this point, you slowly filled in a few close ones about your relationship with Tony. Clearly you were in this for the long haul, and keeping things under wraps was becoming futile. The general consensus was positive, thankfully. Obviously, that’s due to a great deal of details being omitted. The act left a sour taste in your mouth. Not from the content–how easy it was. You hated to repeat such behaviors, but it was less complicated this way. You wouldn’t have to labor through justifying your relationship, or hear concerns you didn’t already have. 

Tony’s reception was, oddly, less positive. He didn’t care much for your old ‘starving artist’ clique. He thought you should take advantage of his access to New York’s greatest–the real pioneers. It took little arguing from you for him to drop that thought entirely, and he conceded to just be happy to see you happy. 

Like good friends, they tease about your newfound love. One asks when they’ll get to meet ‘Mr. CEO’ and you have to brush it off casually. You like your worlds better separate. 

A sweltering autumn soon becomes frostbitten winter. This gives you less light to work with, resorting to find shuddering shoulders in complete darkness. You don’t think it’s worth searching for warmer pastures or a simpler life. No, you order a cashmere robe and get used to seeing by touch. 

Late nights in the tower turn out to be a great place to hone such skills. The halls are narrow and void of any windows, so you ghost the pads of your fingers around for customary shapes. A cushioned nook and a neglected book lull you into a nap one evening and you wake past the sunset. If you were able to sleep so late undisturbed, Tony must be preoccupied. You planned to tiptoe into the kitchen without a sound, but your ears catch words murmured behind the glass. The door is cracked slightly, just enough to let a streak of light breaks across the hardwood floor

“–fifteen, ten, maybe if we’re lucky.” 

The bespeckled man’s words are measured, precise as usual. You can almost picture his lips barely parting to utter syllables behind round-trim frames. 

“Jesus christ–the fuck am I paying you for? Because I am paying you, like a metric shit ton” 

At Tony’s voice, you press closer. 

“I’m not the idiot getting a divorce.”

“Okay, okay, let’s just stay focused here.” Natasha raises her voice above the two men, and you hear a chair drag across the office.

“Uh-uh, don’t think you’re getting off scot free–we wouldn’t even be having this conversation if you did your job a tad better too.” 

“I will say it was ‘lot easier to spread the financials between two people.” 

Social norms concerning privacy start to get to you, urging your feet to pivot and take you back upstairs. Your escape goes undetected, and you seek refuge in the shower. 

You wash the day away under warm jetstreams. Part of your mind is stuck replaying everything, wondering how he was handling it all, trying not to indulge in the urge to check the sink drawer. In a flash, you toss the thought away. It’s easy to not overthink at this hour. Especially when coconut vanilla soap tugs you back towards exhaustion. You make it back out to the bedroom, where you find Tony removing his shoes at the end of the bed.

He smiles at the crack of light from the bathroom. Tony’s days were getting longer while the rest of the hemisphere’s got shorter. He would say he missed when life was simple, but he can’t remember such a time. Life growing up was anything but simple, then the older he got the more it sucked out every ounce of his energy. Everything after became, well, everything after.

Picturing a new future keeps him going. One in a coastal city, something global like New York but much, much warmer. He fights the urge to picture your silhouette amongst the waves. It’s not guaranteed. He might find himself in this dreaded cycle all over again. Then his coconut scented fantasy would be tarnished. 

No, it’s better to cherish the present with you. Like right now, watching coconut scented water droplets descended down your legs and shoulders. Even though he knows he won’t be here long. Truly, he’d wish you weren’t awake,  knowing he’d have to leave soon.

“Take a picture, it’ll last longer.” You teased, abandoning your towel as you pulled the dresser open.

He’s easy to rile up, and you know exactly what you’re doing–bending over slowly to pull your panties above your hips. You can’t help it when he stares like it’s his first time seeing you, every time. 

“Please don’t tempt me.” 

Tony’s voice is low, barely above a whisper. He’s unmoving on the edge of the bed, hands braced beside his thighs as his eyes follow the movements of your hands around lacy black fabric. Truly he’s perplexed. Who knew watching someone get dressed would be just as much of a turn-on. Or maybe it’s just you.

You toss one of his faded band tees on, and he thinks this might actually be better than any sun-soaked dream (it’s definitely just you). 

You cross the bedroom, the loose cotton brushing against your skin with each step. As you approach, you snake your arms around Tony's neck and straddle his lap. His large hands ghost up the smooth skin of your thighs, leaving a trail of warmth as they make their way to your back. The moment your skin touches his, Tony’s eyes lock onto yours, but you can tell his focus is elsewhere.

“What are you thinking about?” you ask softly, raking your hands through brown coils.

You assume his mind is still on the conversation downstairs, but the grin spreading on his face says otherwise. His lips move to pepper your exposed neck with kisses, still smiling.

“Really wanna know?” 

“Sure, hit me.”

The ghosts across your veins turn into full blown grazes. 

“You, in a bikini, drinking margaritas somewhere with no extradition laws.” 

You chuckle at the notion and swat his shoulder when his teeth find your pulse point. 

“Hey, you asked,” he laughs into your skin, gripping your hips tighter, “besides it’s your fault–’smell like I’m damn near there already.” 

Tony’s mouth turns hungrier and hungrier, moving feverishly across every exposed inch until the flesh is tender and you're panting in his lap. It’s just encouragement, so he doesn’t pause for a moment as his fingers slip behind your lace. They work at the wetness already ruining the fabric, dragging it across your length and making your shiver. 

Okay, sure, maybe another period of minimal alone time was getting to you, maybe. Sue me, you thought. Honestly, Tony should be more grateful to have such a willing partner–and you told him as much. Unfortunately, this elicited a need for Tony to instill a sense of gratitude in you.

In the next second, you're tossed onto your back, wrists pinned tightly above your head. His other hand pulls your panties down your legs and you try not to make a joke about the futility in getting dressed. Instead, you soak his weight against you, the roaming hand between your thighs and teeth on your neck. 

Marking you is the obvious goal-sucking harder with each breathy whimper. He wasn’t kidding earlier, either. You smelled good enough to devour and he intended on doing so. His danced along your folds, a cufflink scratching the supple skin at the top of your thigh.  They are never anywhere long enough to give you any real pleasure. Just to take more breath from your lungs and feeling from your legs. 

You squirm against vicuna dress pants, trying to gain more friction on his hand. Instead of catering to your needs, he stops all together and the noise you make is almost pathetic. Who are you kidding, it’s fully pathetic–it couldn’t have been over two weeks, and pleas can hardly form on your tongue for more. 

Tony reels back with a smirk that flips your stomach. A scheme is brewing behind darkened pupils. His eyes stay on you as his hand returns to your center, slow and heavy over your clit. 

He doesn’t relent when your wrists strain and hips buck against him. No, a tighter grip and knee over your hip hold you steady enough for his fingers to work faster. You want to chastise yourself for how much you missed this–then two fingers slide into you and there isn’t room to think of much else.

He moves quickly and silent, like a serpent, finding that perfect rhythm that makes your eyes flutter. Your soft moans fill the quiet space. He’s too steady, not changing a muscle as your peak comes closer. The most desperate you get, writing against his palm to get even one extra inch of depth, the slower he moves. 

“Did you have fun sneaking around?” 

Your eyes flutter open in the dim bedroom, Tony’s sly grin shining above you. It cuts straight through the fog of pleasure taking you over. 

“I don’t know what you’re–” you start to bluff. 

“You’re not very sneaky, you know? Or a good liar. That’s a particular skill set that you, my dear, sorely lack.”  Slow and teasing, he slides two fingers back into you.

“Okay, okay. Maybe I was eavesdropping a little.” He finally moves with purpose again, but of course not enough.

“A little? Let’s not start underrepresenting things, hm?” 

Before you can debate him further, he withdraws and you think you might honestly cry if this continues.

“Okay, point taken, would you please stop torturing me now?” 

“Now, why would I reward bad behavior?” he asked, lowering his gaze.

“If it helps, I wasn’t trying to.”

“It doesn’t.” 

His palms grip your hips, flipping you onto your stomach and lifting your waist upwards. The sudden movement leaves you breathless, searching for balance on your forearms until they’re pulled behind your back. 

“You know exactly which nerve to press, don’t you?” he breathes into the base of your neck, chest flush to your back as he hands work at his zipper.

How ironic, considering he spends the next hour tuning your body like an instrument. Knowing exactly where to press, where to ease off, until you finally unlock, bare and moaning into the mattress.

Afterwards, you fall asleep to the steady beat of his heart. 

You’re half way to sleep when Tony slinks out of your arms. At first, you don’t bother stirring. Then, the soft draw of the dresser catches your ear. 

You flip over onto your stomach to get a better view. You watch Tony’s shadowy figure attempt to quietly dress. For a rare sight, he abandons the tailored suit for dark Levis and a t-shirt. It hardly looks like him, in the best way possible (ignoring the obvious question of where the hell he planned on going in that. Less larger-than-life, more real. This, now this was someone you can imagine running into at the grocery store. The sharp edges of his suits always added a degree of gravitas to everything.

“Where are you off to?”

“Going to see a man about a horse.” 

He leans down for a bright smile and a quick kiss before he leaves, and you let sleep suppress any thoughts about what that could possibly mean.

You awake to a sun that has long outran the horizon. The sheer curtains were already pulled back, with the smell telling you Jarvis made a feast for breakfast. Tony’s side is empty. Which is no surprise there, but you don’t expect him at the kitchen table. 

He grins behind a newspaper as you approach. Jarvis is busy with the espresso machine, muttering curses under his breath. 

“Tell me, what are your thoughts on cyclamen–oo, or actually, narcissus, yeah, that’s better.” Tony asks like you've been having some sort of conversation before five seconds ago.

Jarvis clicks the tamper in with a satisfied click as you stare back confused. You’re two blinks away from falling back asleep and desperately craving something stronger than green tea. 

“What are you-Is-Are those restaurants?” 

“Oh, morning ma’am. Shall I prepare you a tea, perhaps breakfast?” Jarvis turns at the sound of your voice, wiping damp grounds from his hands.

“Good morning, but no, just some coffee, please.” You try to sound natural. It’s weird giving someone else orders. 

“Nope, flowers. We could do something simple like a peony but I don’t think that matches the whole vibe with the satin garlands.” Tony continues. 

“Tony, hon, I have no idea what you’re on about right now.” you groggily slouch in the chair beside him. 

“We, my dear,” the newspaper is folded and plopped onto the table for dramatic effect, “are having a Christmas party. The proverbial ‘we’ in this situation being the company, of course.” 

“A Christmas party?” you muse with a laugh.

“For tax purposes, a gala. For my purposes, and therefore to make it fun, it is indeed a party, yes.” 

Espresso warms your veins as you listen to Tony ramble through plans for catering, guests, decanters and a whole bunch of other shit you can hardly keep up with. Good thing that responsibility falls to Jarvis, who jots away on a worn notepad. Once your eyes fully open, the thought starts to excite you. Your yearly festivities normally boiled down to a bottle of chardonnay and some loosely Christmas film like Die Hard. “Plus, if I auction some art, it works out even more.” He punctuates his brilliant plan with a bite of a muffin. 

“That’s not like a massive trigger for you?” 

High-volume social events dropped off the radar recently, for good reason, you assumed (not that you minded a break from fake smiles and cold handshakes) . Instead, Tony dragged you along to more intimate dinners with whatever broker or councilwoman he needed to charm. Your role as plus-one never went anywhere, but doing so at Tony’s your home would give you more confidence. 

“What are you, my sponsor?” he teases but you're less amused at the thought. 

“You don’t even have a sponsor.” You know so, because Tony believes Narcotics Anonymous is a, quote, ‘sad-ass glorified tea party’. 

“I have Jarvis.” He’s completely serious, and Jarvis hides his laughter behind a stack of plates.  

You don’t want to point out the obvious cognitive dissonance. That a man who spends his nights in petrified somnolence might crack under the pressure of dozens of inebriated colleagues. Not now, in a moment of peace. Not in front of Jarvis. You’re not sure how much sound slips out into the hall.

Tony watches the worry creep over your face from the edge of his newspaper. With a sigh, he abandons it again.

“Look, all you have to do is look pretty–which is no sweat for you, maybe drink a few apple cider cocktails, and relax. I’ve got everything else perfectly handled.”

He gives you a look, both reassuring and decisive. It’s a simple message meant to be taken without debate, ‘trust me’. 

You get one more peaceful morning drinking tea in the dark with Harley before the holiday season.

The event overtakes your life from Thanksgiving onward. You really don’t know how this sudden festive fervor spawns, but it slowly creeps into everything. From the elevator music, to miniature elves by the door, to candy canes everywhere, and more Christmas ties than days in December (you can’t be sure he’s not switching them multiple times a day). 

You weren’t a total Grinch, not by a long shot. Tony just so happened to be creeping into that weird overly festive zone reserved for suburban moms and kindergarten teachers. 

“Tony, what’s all of this?”

Vivaldi plays faintly on the record player. There’s a delicately placed mistletoe just off of the elevator, accompanied with a haphazard trail of roses leading out onto the balcony. You navigate through a candlelight kitchen juggling a heavy box of resin. 

“Tony?” you call out again once the box makes contact with the counter,

“Out here!” 

You follow the voice and rose trail to the balcony. Unsurprisingly, he’s donning a god awful Christmas sweater, grinning and pointing to the wool like it’s runway fashion. A small table holds two covered silver platters, and a tall bottle of champagne rests in a bucket of ice. It’s the kind of overtly romantic display you’d gotten since night one, but it never fails to sink your breath straight in your heart. Something about the way he’s standing there, beaming like a nervous, lovestruck fool, tells you this isn’t just a normal gesture of affection.

Still, your lips part to thank him, but he stops you instantly. 

“Just wait–” he pleads, “I got like thirty minutes of practice into saying this and I can’t fuck it up.” 

His voice is rushed enough that you believe. Clearly the words were threatening to jump out of him. It sets you a bit on edge, trying to anticipate what this was about. You indulge him anyway and nod. 

Tony crosses the balcony to take your hands in his, thumb brushing over your knuckles. 

“Okay, I know things haven’t been copacetic around here. And I know I’ve asked for a lot–more than I ever thought I would–and you know sometimes it feels like I’ll never be able to return what you’ve given to me, but I swear I’m going to make this worth it.” 

He squeezes your palm, tired brown eyes searching yours for something, any sign that his words meant a single thing. It’s a fast-winded speech that makes you wanna laugh at the irony. Tony, the man who’d move the stars if they had a price tag, somehow feeling the need to repay you.  Yet his voice is raw like a frayed nerve. Exposed to the cold winds whipping against the tower glass. 

“Tony, you’ve made it more than worth it, everyday.” You smile, though it’s worth wondering what’s driving him to say all this. The words ring true regardless.

“Not nearly enough,” he says softly, “but I’m going to–I’m going to give you the world.”

In that moment, you see it: the weight of everything he’s been carrying. Your ribs seem to tighten inside your chest. That unspoken fear you’ve both been trying to avoid–it was far easier twenty seconds ago when you thought it was yours alone. You realize now that the fearless man you saw in fact was scared of something (losing you, primarily). Yeah, you comforted him through nightmares, but even then he managed to carry an aura of control.  

This wasn't about  holding onto the life you’ve built together, the one that’s felt so fragile lately. And for the first time, you see how much that matters to him, too.

He starts to say something else, dropping your hands. His fingers fiddle behind his back, seemingly nestled in his back pocket. He stares like he intended to say something else, lips parting and closing right back. In the next second, he seems to shift gears, pulling you into a hug. 

You welcome the warm embrace, as the chill has started to gnaw at your bones. He plants a kiss to the top of your head, and you want to stay in that feeling for the rest of your life.

Sadly, he does eventually pull away to admit dinner on the balcony would be quite miserable, and the two of you move inside. 

You could spend the rest of the evening overthinking about what all that meant, but you don’t bother. Why go through that mental labor, when instead you could drink $500 champagne, carefree while your handsome boyfriend flirts with you like it’s the first date. 

You don’t think about it then, or later in the night when your legs are pressed to your chest and you can’t recall a single thing he said. You focus on what he’s saying then–filthy words about who you belong to, and exactly where you belong–a whimpering mess underneath him.

Even when it turns possessive (more so than usual), when your throat is littered with marks and his hand stands to leave another on his hip, you don’t think of it. But it’s the only thing on Tony’s mind. When another orgasm rips through you, all he can think about is how much he needs you. He whispers ‘you’re mine’ over and over and over as you fall apart just so your broken moans can still echo–so he can hear just how true it is. How could you, with such a dutiful guide at the helm?

Afterwards, when you’re drained of every ounce of life, it still doesn't bother you. You don’t wonder if tonight might be another night he slips into plain clothes and disappears until sunrise. You can’t muster a single thought as his arm slinks around your waist to pull you closer. 

You simply close your eyes, and let sleep take you. 

Eventually the days tick by to the gala, and you’re somewhere between impressed and overstimulated with all the ensuing holiday glamor. 

Though, you can’t say he doesn’t go all out. 

The first floor of Stark Industries is transformed from a cold minimalist space to Ebenezer Scrooge's worst nightmare. A makeshift stage sits at one end, complete with enough tinsel to suffocate a horse and twinkling garlands. Piles of fake snow anoint the corners, and a particularly large one sits beneath a 12-foot tall Christmas tree in the middle of the lobby. The open bar even serves drinks in frosted holiday glasses. He even has the guards wearing reindeer ears. 

By ten p.m. the vast floor seems smaller than a shoebox, packed with guests in evening gowns and tailored tuxedos. Initially, you’d planned on wearing a new piece for the gala–something to make the overwhelming festivity Tony demanded. Once it came time to get dressed, your eyes caught the sanguine dress. You hadn’t gotten the chance to wear it since your first date. It had felt too exquisite for any other occasion, but for some reason you were drawn to wear it tonight. 

You wish you could say Tony had a good reaction–or a reaction at all. From sunrise until the doors opened, he’s caught up in planning and preparations. Matter of fact, you were two hours into the gala and had only seen glimpses of him shaking hands in the crowd. It takes away from the expected familiarity. You imagined this night to be simple, easy for you to blend it with Tony on your arm, in his home your home. Instead, you wander like a lost gazelle, feeling every pair of eyes on you. You want to blame the dress. Revealing and bright red.

In the blurry swarm of faces, bright auburn stands out. Natasha wouldn’t be your first pick, but she’s the only familiar face and you need a respite.

You squeeze in next to her at one of the corner tables. The spice of her perfume permeates your nose but you can look past it for the moment. She pays you no mind at first, legs crossed and head turned to the crowd. You don’t mind one bit. It’s quieter towards the back, and you have no issue with it staying that way. 

Natasha sighs deeply, almost in boredom, maybe annoyance, but not with you. 

“I don’t know how you stand him.”

“How do you figure?” you respond absently, picking apart at a stray piece of tinsel.

“One of the richest men on Earth-I know he’s got the ego to match it.”

“You’d know better than I would, wouldn’t you?” you answer. You’d gotten the sense Natasha and Tony back way further than him and Pepper a while ago,

“Touche, but I’m not dating him.” she shifts to take another sip from her glass, “though, I’m not really sure why you are.”

“What do you mean?”

“I mean, do you really love him, or are you just after a family fortune?” Emerald eyes points like knives, her tone blending from casualty to scorn.

“W-what,” you stammer, “Of course I love him–Tony pursued me.”

“Please, he’d pursue anything with a pulse,” Natasha chuckles, “and relax, I’m just finally getting around to doing my due diligence.” 

“Your ‘due diligence’ is being a cunt?”

“Ooh! I see you’re a feisty one–you did sit here after all, you know.” she muses.

“Just needed a break from the crowd,” you mummer, rising. 

“Stay then–relax, like I said.” she gestures towards your now-empty seat. When you sigh and retake your place, she smiles. “I like you, you know.”

“We’ve barely spoken.” you declare, a dry chuckle spewing alongside. 

“That doesn’t mean I don’t know a smart person when I see one.” 

“Smart?”

“Smart decisions, going out with Tony, not screwing that up, though I’ve been told you’ve come close a few times.”

“Who–”

“This isn’t an interrogation, like I said, I like you–I don’t really care what happens between you two.”

“Then what is this?” you flag the nerdy tuxedoed waiter for a glass of water. 

“You said it yourself, we’ve barely spoken. My job is to keep Tony’s business running smoothly, and that’s become a lot harder since he won’t make a single decision without considering the ‘y/n’ of it all.” 

You scoff, unimpressed. “We don’t talk about his business.”

“Oh, I know,” Natasha remarks, “A bartender has no idea how to run a billion dollar corporation, and even less of an idea how to advise one.” 

“This is the part where you tell me I have no business being with him, right?” The waiter drops off a tall pitcher of water for you both. Once your glass is full, he passes along a message that Tony’s speech starts soon. 

“Dear god no,” Natasha laughs, “I imagine you’ve heard that enough–and he’s much more pleasant since you came around. Besides, you’re living the dream.” 

“Is that so?” You have to give a laugh of your own (considering you had a bit of jealousy buried for her). 

“Oh yes, filthy rich, live in a penthouse, never work another day in your life, loving husband–maybe not my dream, but still a dream.” 

You don’t know if she’s trying to be funny but your next laugh is genuine, and she joins in.

“What is your dream, then?” you question.

Natasha’s grin stiffens, surprised. Contemplation passes for a second and you worry that you’ve underdone the last three minutes of camaraderie. 

“Ballet teacher–but that stays at this table.” She gives you a matching pointed look.

“My lips are sealed.” You do try not to giggle, but it’s odd to imagine her frigidity in a warm lit studio surrounded by tutus. 

“Did you mean it, what you said about Tony? That things are...okay?” Natasha asks, referring to Tony’s sobriety. It’s weird how everyone dances around it, especially someone so usually straightforward as her. 

It was weeks ago when you parroted that claim. And you only call it that because the question annoys the fuck out of you. It’s entirely subjective, and you give in to the optimistic look in their eye and tell them what they want to hear. He’s fine, better even.

Maybe it’s because she’s being nice, or because you already gave up this facade with Harley, but you can’t be bothered to pretend you know what’s going on with him all the time. Besides, clearly you weren’t doing a good enough job for her to ask you about it again

“I want to say yes, but I don’t know, I guess?” you admit, staring into the crowd. 

Natasha’s mouth parts to speak again, only to have the microphone’s feedback interrupt her. The host–some Nobel prize winning chemist Tony invited to pull donors–clears his throat before starting his introduction, and the noise draws to a lull. Natasha excuses herself, presumably to find Tony before his speech. You decide to stay at the back of the lobby, with a good enough view of the stage. 

Supposedly this entire sordidly festive affair had a true business purpose, some big announcement Tony was making on the ‘future of the company’. He didn’t explain much more than that, and you’re certain the technical logistics were beyond you anyway. 

After a long, boring welcome, the mic is passed off to Tony. It’s the first time today you’ve been able to see him fully–draped in a jet black tuxedo and bright red bowtie. 

It whines again in his grip, and Tony pauses once the cheers die down, glancing at the expectant faces below. Thick cards press into his palm, each written meticulously inked by Natasha last night He clears his throat, glancing out past the lights into the crowd. He hopes they can’t see how heavy the stillness starts to weigh on him like before. The sudden quiet, all that attention. Including yours, somewhere out there. His heart stalls at how must look to you up here. Larger than life probably, or maybe you weren’t looking at all (he hopes you aren’t). A hundred odd pairs of eyeballs, and he hides from yours. 

Tony knew what he had to do, and was quite confident in his choice. But he can’t risk looking you in the eye while he does it. Ironically, his decision had very little to do with you, and everything to do with Pepper. The edge of his mouth still twitches. 

“Tonight…” he starts, turning the twitch into a warm smile, “…I’ve asked you all to be here in celebration, to celebrate Stark Industries, and talk about the future of the company,” He clears his throat, rolling his shoulders as if trying to loosen some unseen knot.

There’s a small, brief ripple of confusion among the front of the room, murmurs. Something shifts in his expression—just a flash—before his eyes catch something and harden. A gesture is made to the guard at the end of the stage. His hand tightens around the mic.

“To keep things transparent,” he says, stuffing the cards into his pocket, “the real reason I threw this party, asked you all to be here, is because I want everyone to see how much this means to be.”

Your ears perk up. Natasha swears under her breath, glancing at you before sharply leaving the table, tapping away at her phone. Tony can’t hide from your gaze anymore, and he finds your confused face in the back corner. Before you think about a path to escape, the crowd follows his attention, taking their eyes from the billionaire to the nobody fiddling with tinsel alone.

“I want to celebrate the love I have for this woman, and take this opportunity to share it with everyone.” 

What the hell is he doing?, you think. He can't be doing this here, like this. 

“The truth is,” he pauses, feeling his phone buzz off the hook (most certainly Natasha telling him to stop), “I’m getting married, and Stark Industries will be welcoming a new partner in its operations.”

The room erupts in a chorus of oos and awes, all to the tune of your racing heart. It takes you a second to process. He means getting married to you. You never even talked about marriage, the future, anything like that. Yeah, maybe in passing the idea came up, but at no point did you accept a marriage proposal. 

Everything feels nauseatingly blurry after. Random individuals come over with their congratulations, while half the crowd stares and the other half still bothers to listen to the rest of Tony’s speech. It’s a bunch of nonsense about restructuring and profits, and you’re too confused, pissed, and too fed up with fake smiles to bother standing around to listen. 

You suffer through two more superficial conversations about the marriage you were only made privy a few minutes ago. Finally, you escape to the restroom. You find an empty stall to hide in, trying to process what was going through Tony’s mind.

He couldn’t be serious, could he? This wasn’t real–it was some ploy or tactic. He didn’t genuinely intend to marry you. You didn’t like to think of the long-term for the same reasons you didn’t think about the short-term. This was unpredictable, you learned that. You learned to be okay with that. You could soak in the pleasures indefinitely without ever worrying about how it might all end. This, this brought it into a sharp focus you weren’t ready for. 

You’re not even certain he’s fully divorced yet. 

Once your palms finally dry, and the threat of a panic attack fades, you step out of the restroom. You don’t even know what to think, and the sterile walls weren’t helping. Glancing back toward the gala, you spot Tony scanning the room—until his eyes find yours. You don't hold his gaze long; instead, you turn sharply toward the elevator. You hear your name faintly called from somewhere behind, but you keep moving down the hall, ignoring it.

He breaks into an awkward jog to catch you. You keep your eyes forward.

“[Y/N], look I know this wasn’t what you were expecting, and I can explain I just need–” he starts,

“You’ve lost your fucking mind, Stark,” Natasha heels stomp angrily down the hall, stepping in front you to point her finger in Tony’s face, “what the hell are you doing?”

“Alright, alright, not you right now–cut it out!” He smacks her hand away flippantly, “I’m not entirely sure you and Matt haven’t been drinking the kool-aid either.” 

Tony huffs and straightens his bowtie and you step back from Natasha’s heat. Behind the three of you, someone gets their hands on a karaoke machine and a terrible rendition of Santa Baby follows.

“The whole point of this bullshit was to go public and get out of this shit so explain to me how this gets us anywhere closer to that?” She grits.

Tony throws his hands in the air, “Maybe it doesn’t, but your dumbass plan wasn’t any better.”

“You think marrying her is going to help you? You know I was joking when I said that, right?” 

Suddenly, a spotlight seems to beam over you. Neither party stops their death glare to fully acknowledge you. That wasn’t a proposal–you were just some pawn in their game.

You don’t even know what the hell they’re playing for.

“This is a great time to remind you who signs your checks.” 

Only then do her eyes bother to glance at you. 

“This isn’t gonna end well, and you know it.” She concedes, still stern. After that, she stomps back off into the crowd. 

Tony turns towards you, but you're already back at the elevator, watching the buttons finally reach L.

“[Y/N], please–” 

The doors ding open and you don’t stop to hear anymore. Despite your feverous attempt to close the doors, Tony makes his way inside. The door just barely misses his coattail, to your annoyance.   

Even worse, and completely on par for the evening, the jingle bells elevator music plays the moment the doors shut. 

A hard, awkward beat passes. You’re pinching the bridge of your nose, sparsely emptied of any more energy for this night (mentally or otherwise). 

“You look fucking stellar, by the way, love that dress–”

“Tony.”

“Right, you’re right, sorry.”

Neither of you spare another word from the elevator to the bedroom. Tony follows behind, closing the door softly as you toss your earring onto the dresser. You’re waiting for him to speak again. Explain, deflect–hopefully just explain, but he doesn’t. He sits at the end of the bed, eyes trained to you in the mirror. 

“Why didn’t you ask me? Alone? Before today?” you sigh, “

“I wanted to, I was going to, the other night on the balcony I just–” he answers quickly, but trails off in a way that has you turning to face him instantly.

You don’t doubt that for a second. Truthfully, the level of effort and random heartfeltness of the night gave you some clue. But, when it never came you just chalked it up to Tony being Tony. Painfully romantic in most conditions. 

“You just what, didn’t want to?” There’s anger, though you know it's hypocritical. 

“No I just,” he exhales, dragging his fingers through slicked back hair, “I knew you’d say yes.”

“You knew I’d say yes? What the hell does that mean?” Your necklace joins the rest of your jewelry with a loud clink. 

“This is coming out all wrong–”

“You think?” The six inch heels are the next thing to go, throwing haphazardly in the closet. Tony rises to cut you off in front of the door, eyes pleading for understanding you’re not sure you have. 

“I saw the look in your eye, I’d done so much to make sure you’d say yes in that moment because I needed you to–not because I wanted it and that wasn’t the way it was supposed to go.”

“You don’t know that I’d say yes.”

“You would,” he says with that practiced charm, all sunny but hollow. A trademark Stark move—confidence teetering on arrogance. When you hesitate, he’s ready with another word, a gaze intense enough to hypnotize. “You know you would.”

You laugh, looking away as if it’s absurd. “Are you really so sure?”

His hand slips into yours, gentle but firm, thumb brushing across your knuckles in a way that makes it seem like he’s talking to you, only you, and not the thousand voices in his head screaming at him to get this done. 

“I know you’re scared, but” he says, leaning into your warmth. “Don’t leave me hanging here, please.”

“You sound so desperate, it’s kind of sad.” 

But there’s a softness to your voice now, a hint that he might be getting through. For a moment he was worried he wouldn’t be able to get away with this again, that you’d learned all his tricks since the boutique. 

It’s enough of a crack in your resolve for him to keep pushing. He slips closer, voice low. 

“Look, I know I keep asking a lot of you, but, There’s a pause, just long enough to let the ache in his voice sit, before he adds, “this could fix everything, everything can be okay.”

There’s a sliver of doubt in your eyes, and that’s what he clings to. 

“And when was the last time everything was okay, Tony?” You watch him in the bureau’s mirror. 

 “It could be. All I need for you to do is say yes, so I can fix this,” He squeezes your hand, the hint of desperation all but veiled now. 

And when you finally exhale, when that flicker of sympathy slips in, he knows he’s won.

It’s good enough. Better than he hoped, honestly. The relief slides into him like a tonic, loosening the tight lines in his jaw. He keeps his hand on yours, knowing the warmth of it will serve to distract from the creeping dread, from the hollow pit that’s been widening ever since the stakes got so high he couldn't see the top of them.

For Tony, this is all still just a means to an end. One step closer to true liberty and the life he was supposed to have. If he had to lie and disappoint–cheat and charm, then he’d do it. It would be worth it. In the end, the sum of his achievements would outweigh his sins.

He reminded himself of that a month ago, the night before he decided to have the gala. When the bedroom door closes, a sigh of relief escapes. He was lucky that you didn’t catch the conversation with Matt and Natasha in full. What he had in the works was sensitive, and he couldn’t have that ruined by anyone knowing the details in advance. He couldn’t lose you again, not when he needed you most. 

There is a shred of guilt as the elevator whirs down to the garage. You’re probably thinking the worst, understandably, but there wasn’t anything he could do about it. Only to pray his love was enough to placate you for now. 

Especially when he doesn’t even want to fucking do this. Each day seems to come at the loss of his autonomy, another suit on his payroll telling him what’s best for his life. It’s more deplorable when the people closest to him come up with the shittiest ideas to fix this. He can truly thank Pepper for his recent migraines (and a bunch of old ones). Filing for divorce was quite a move to try to get what she wanted, and throw him to the mercy of the Securities and Exchange Commission at the same time. If you listen to Matt, Tony’s mere minutes away from a cold cell. If you listen to Nat, Tony’s plummeting stock will be the sealer of his fate. And as of right now, two of the smartest people he knows can’t come up with anything that doesn’t come at the cost of you or his company. And he can’t live with either. 

Since, both their solutions arguably suck, he tells a lie or lack thereof to find a third opinion. Or a hail mary. However it’s called, it’s a long shot that he can’t be certain won't jeopardize him even more. 

The drive to Hudson Valley is peaceful, to the point he forgets his world is on fire. It’s late, or early, depending on who you ask. Few cars grace the road and he finds solace in the solitude. The radio is ignored for the repetitive rumble of the tires, until paved tar turns into rough gravel. 

When Pepper sent over the address, he wasn’t too surprised. She always rambled about moving out of the city, dreaming of cabins in the woods and sprawling hills. Tony could never wrap his head around living anywhere else. In retrospect, that was another early omen. They never even shared the same dream. 

He can’t say it doesn’t look impressive. A dark a-frame that strikes beautifully against the earthen spruce. Maybe that is why she had him drive all the way out here and not somewhere in the city. Part of masterplan to show him what she presumes he’s missing out on. 

The porch lights flicker on once he parks, and he makes his way up the stone path to find Pepper sitting just outside the door. She’s preoccupied with a thick novel, acknowledging Tony with the raise of a finger. 

It’s strange, being alone with her for the first time in years. She’s not dressed in Valentino but tattered college sweats he had forgotten about. Seeing her at the penthouse all those months ago was troubling, but this was different. Here, it’s too quiet. Even though he’s a few paces away from the table, he can hear the tension of her nails against the pages–the swirl of wind through her hair. Sure, she can’t control the environment but he knows this is a calculated move too. To make him wait, make him uncomfortable. Every other sense sharpens in the absence of constant noise. Norway spruce and duplicity. 

He’s losing his nerve and he needs this over. 

“Why the hell’d you make me drive this far out anyway?” He tries to keep a level voice, knowing she wouldn’t hesitate to use his irritation against him. 

“It’s the one place I’m certain your little spy hasn’t found yet.” she murmurs.

Okay, fine, so he’d used his son to spy on his ex-wife. Big deal, he couldn’t be certain she wasn’t doing the same. Plus, Harley had offered to keep an eye on her. It was a matter of security, not personal (mostly). 

“Can we get on with this?”

“I suppose,” she sighs, tossing the book onto the table. The thud reverberates, stark against the stillness of the valley. “But I’m not sure what it is you want from me–you did call me after all.”

“I did.” And he’s regretting it every second.

“So, what can I do for you?”

“You can start by accepting the deal Murdock sent, and let this be over.” 

Pepper chuckled, crossing her legs. “What are you playing at, Tony?”

“I’m not playing at anything–this needs to be over, you need to move on.”

“Oh please, don’t flatter yourself,” she scoffs, “this is all very rich considering you’ve held me in litigation for months, you rejected my offers over and over, so why the sudden change of heart?”

A cold chill and burning annoyance pull him closer to the table. 

“Yes, because I should just give you forty-five percent of my company–I can get it gift-wrapped too if that makes it all the better.”  

“That’s right, your ego won’t let you admit I’m the only reason you have a company to speak of.”

“Can’t you find an ounce of compassion in that gaping pit you call a soul, for me?”

“Such harsh words from someone who needs something from me.” Pepper smirks and stands once the heat recedes from Tony’s face. 

“Take the twenty percent, finalize the papers, and end this, or else there won’t be anything for either of us.”

She circles the table to stop in his view. Tony wishes he had a time machine.

“Let me guess, someone’s under a little heat.” she muses, voice high and dripping in sugary venom.

“Little is an understatement.” He steps back, hands tight in her pockets.

“And why would I give up my shares to help you?”

“This entire thing started with you, and the second it wasn’t convenient you ran. The least you could fucking do is help me out of it.” Tony snapped. 

“Right, and if I don’t?” 

She still laughs, because it’s all a good game to her. Entertaining to see him against the ropes–desperate enough to reach out to her. For once though, it’s calming. It soothes his anger and reminds him why he agreed to this at all. This time, he had an ace up his sleeve.

“Then I’ll tell just that to whoever needs to know–you know I have the evidence. You’ll go down right alongside me.”

In the quiet solace, for a moment, she’s outplayed. Her smile falters and brows crinkle. Truthfully, as much as he’d love to, he could never sell her out. But she had a terrible tendency of assuming the worst of him, and he was banking on that. 

“Please do, I’m sure they’d love to hear what I know about Obadiah.” 

Oh, so that was her ace.

A soft buzz vibrates his back pocket. He doesn’t need omniscience to know it’s you. He can picture it clearly–you, traipsing around the penthouse looking for signs of life. He knows you hate that feeling, and he hates to cause it. 

There’s a more pressing issue; not giving Pepper the emotional reaction she wants.

“You wouldn’t do that.” Spare words from some forgotten bin. 

“Not if you don’t force my hand.” 

A painful pause ensues. The valley’s fauna recognize the tension, silencing out of respect for the sound of Tony’s plan shattering. A true stalemate. Not what he came for, but his throat swells thinking about the aftermath from a war of attrition. 

He can’t let that get out, above all else. That’d be his dissolution. Stark Industries, everything he worked for would vanish. You, without question. You never see him the same again. The crafted image he sought, the life he was creating with you for you, it’d be wasted effort. 

“What’s it gonna take for you to help me?”

After another migraine-causing conversation, Tony slumps into the driver seat, shoulders heavy and eyelids even heavier. Fifteen minutes have passed since your text, and he wonders if it's better not to answer at all. 

[ everything okay?  ]

[ be home soon ]

Ignore. Deflect. Move on.  

The drive back to the city is less pleasant. Actually, it’s a nightmare that he disassociated through the moment he entered the garage. He was, tragically, fucked. There was no telling if he had the capital to replace whatever Pepper took, and he certainly couldn’t risk everything by going public. And if he didn't give Pepper what she wanted, he might be looking at a depressing future behind bars. And that was not an option. 

So he’s at the mercy of the ginger Judas who put him on the path in the first place. Go figure. There’s self-blame for entertaining this option at all. For not guessing she’d snake her way into the upperhand like always. This wasn’t a beast he could defeat with regular tactician and planning. No, he needed to surprise her–usurp her. Piss her off the way she pissed him off. Go against the grain and act in a way that she couldn't predict. Something she couldn’t maneuver around. 

So, when the mic graced his hands, and the coached words on his marriage, the marriage  he never asked you about. The marriage he couldn’t ask you about because he wasn’t ready either. 

He said fuck it, and did it anyway. 

He knew you would’ve said yes then, so you obviously would answer the same afterwards. Even if you were predictably, and understandably pissed, you loved him, and he intended to use that. Grand gestures were his thing after all. A huge public soiree was more on brand than some private dinner. And, he was Tony Stark. The man who got everything he wanted. Why would your hand be any different? Certainly it fell under the same bracket (and really, an argument could be made that he had your loyalty regardless–this was just a title). 

It was justified in his mind the moment the words hit the mic. It just sounds right– Y/N Stark. Like he should have made it that way a long time ago. For a second, the ceaseless pit of vengeance is taken over by something more. 

It;s even easier to justify when he gets a wave of childlike excitement over it. Imagining the ring on your finger, the life he could have with you. Palm trees and salt waves on a remote coast. No more Stark Industries, no more nightmares about cold federal prisons, just you and him. 

Then, in the crowd, he spots what must be Pepper’s lookout. A short, brayish man stays still while dozen roar in congratulatory apologize. Pepper should’ve coached him better, a clear sore loser in a room full of winners. 

The real reason he’s doing this comes back. Tony makes a quick signal to the guard behind him, and moments later the man is escorted upstairs. He used to hate doing this. But he soon learned that humanity gets you nowhere in this business. Still, he almost tells his team to go easy. Then he remembers the cold look on Pepper’s face at the valley while he plead for mercy like a sad dog. 

Fuck that. The man knew the risks. It’s not Tony’s fault they didn’t play in his favor. 

Out of whatever kindness was left, he makes a note to have his body dumped somewhere nice. 

PART SIX SOON

[everestgale]

Heya! I hope you're having a nice day!

I was wondering if you could make something of a ghost Princess interacting with TLQ or just being pretty. One thing that would be cool if she possessed an object / shifted into the form of an object while flying through it (if she can even do that I haven't played all the paths yet). Maybe her being mischievous and possessing a Voice's favorite object out of spite, maybe? Honestly, I love ghost aspects so much and just anything to do with them would brighten up my day very much.

I totally didn't use your ask as an excuse to draw my emo Cold, nope, who gave you that idea?

I don't think I portrayed my idea all that well, so for clarity's sake, Spectre possesses Cold's coat to try to "scare" him. And if anyone is interested in the textless version, it's under "Keep reading" :]

ALSO, I finally finished an animatic/meme for Spectre's new chapter that I mentioned a few days ago. It will be out either tomorrow or Friday, depending on how editing goes, and I'll make sure to drop the link when it goes live. It's dumb, but I enjoyed making it. Stay tuned :]

[Slay the Princess Request Box]

[sweetdreamspootypie]

hey, saw your tags on my iStop notice and had to say something. if you're a nurse you really gotta take the can't leave port accessed thing super seriously. I think it may apply to all IVs but I have a port so that's what I know.

I don't think I was explicit about it: the reason it is so highly illegal has nothing to do with infection. it is specifically to prevent people from having IV access for illegal drug use.

so imagine how I feel about the port being left in now that I know what they think I wanted from the hospital.

@kelpforestdwellers

(idk how tumblr does notifications for asks so figured I'd tag you)

Yeah that makes sense as the reasoning

But still

Plenty of people have central lines out in the community - people on chemo, long term antibiotics, dyalisis, gastroparesis patients who are TPN / IV hydration / IV antiemetic dependant. And those are just the ones I have met going through y particular ward which is general medical, not specialized.

I know you have been / are going through a very long and frustrating process around getting it added to your official care plan and being properly facilitated to access your port at home.

But I have assumed that's just bureaucratic paperwork nonsense about like. Which doctor wants to put their signature to it that they've done due diligence about risk management with you. And stuff about who's job it was to organise it for you.

As opposed to being issues with just having an accessed port at home itself.

It is obviously a huge fuckup to have an /accidentally/ accessed port - but that's still to my mind mostly about infection control.

If they did actually think you were at risk of unsafe IV drug use then yes that is also a major beach of duty of care.

I just had a quick scroll through your blog and you haven't said anything about the process of discharge besides the fact that there was back and forth about when it would be. So tbh I'm confused how you also didn't know it was still accessed, as it's a whole process to de-access it unless you were expecting procedures to be done while you are unconscious. But there was so much other things you were chasing for a safe discharge that I guess it just got forgotten for you.

It sounds like that ward were not confident with the port - you mentioned them getting snotty about doing a blood draw - which is wild to me, because central lines are amazing for that. It's so easy to do a blood draw, we love it. Especially ports! Way easier than PICCs. The only issue is that a phlebotomist will not do patients with central lines, so the nurse has to do it. So it's not a 'patient refused' it's a 'not done on pleb round - awaiting nurse to do it's

So the fact that that happened implies a high percentage of nurses there aren't familiar with central lines, which almost certainly contributed to it not being on their mental checklist for when you left.

Which is a silly situation but also kinda familiar. One of our gastroparesis patients has a standing plan that if she ever needs to go to hospital, she will access her port herself and draw her own blood samples at home before she goes, because it's not worth dealing with ER staff where nobody is confident to initially access a port.

Anyway yeah

I can see the reasoning about it being bad to have an unplanned IV access for drug abuse concerns

But I still would absolutely not blink an eye about a patient coming in from home or going home with central line access. But it should be part of a clearly documented plan for discharge.

I'm in aotearoa though, so different laws obviously. If there is something similar here, I wonder if it's one of those things where they tell you as part of putting the port in in the first place, but. For anyone else it's not relevent.

I hope things start moving for you for being able to access it safely at home.

[stitchwraith-stingers]

HELLO! (points directly at url)

the stitchwraith is made by phineas taggart - a guy who wasnt incapable of feeling emotions (or something equivalent to that) and he loves to expiriment with agony, so he got acouple of items - including an ella doll, if youve read 1:35 am you mightve recognised him as a little cameo (he speaks to plants, and even called the creation of the stitch his own tin man, hes funny, i think tumblr wouldve loved him) and dies the moment the stitchwraith comes alive

the stitchwraith is compromised of two spirits: jake and andrew

jake was a 9 year old boy who had cancer and is the protagonist in the 6th books 2nd story the real jake, its important to note that his father, while away at war iirc, had a small doll that would speak to jake every night, hidden behind a closet, and jake would tell the doll what 'he did that day' (what he wouldve wished he wouldve done) and his caretaker, margie, would come in every night and draw on a thing related to it - if he said that he got into a baseball game then she would draw on a black eye on him, a missing tooth, red around the mouth to signalise the pizza he said he ate that day, as a surprise for him when he won the battle, unfortunatly both jakes father (whos named evan, funnily enough, he has an uncle named micheal too) and jake passed away, leaving margie with the home, which on a unrelated note became infested w cats lol, phineas had used the dolls head (which, inspite of it being implied that jake possessed the doll and ran away, i have zero clue how phineas got his hands on it)

andrew is the, i guess 'antagonist' of the man in room 1280, where hes been keeping william alive for a good while now and keeps confusing four nurses to the point of them calling a priest, he wears an alligator mask i think thats cool, and because of how much agony he has in him and how bitter he has at william (vaild) he is the reason why phineas had died by his touch, he has such a strong sense of emotion it just. kinda goes into everything, if youre wondering how his spirit got into the stitchwaith andrews spirit was also in fetch's battery, i dont know the story about that either ur guess is as good as mine

andrew and jake, together in this stitchwraith body, would collect the rest of what andrew had 'infected', which i only remember foxy from come closer being mentioned

andrew dissapears in the 6th epilouge iirc, long story short william in a massive trash pile monster form (yes he still has those goofy rabbit ears mentioned) had appeared and the two struggling not to kill our other protagonist - detective larson - had plunged themselves into it, andrews spirit is dragged away from williams, leaving jake alone in this vessiel

jake discovers, via accidently touching a homeless man, that he can go into others memories and make them plesant, so the death touch is gone for good, also by skipping towards the end he kinda becomes like, a guardian angel for the ballpit? with the memories of eleanors victims (also not relevant to the conversation dont worry about it) being in there, when he makes millies last memories her spending happily with her family, a single ball had started to glow, and the rest of them slowly did as well

i liked jake, i think hes a sweet protagonist, i thought andrew was interesting too but thats just me being tumblr user stitchwraith-stingers to each their own lol

if anything i wouldnt really exactly say that the stitchwraith is a villain, yeah andrew going "LETS KILL HIM" to some guy in his 40s is bad, but its more or less of a "dont judge a book by its cover" shtick (ESPECIALLY considering the whole renelle plotline), they arent finding trouble they just happened to be able to do that

TLDR: two ghost jokes in one expiriment body, one of them is pissed enough to kill people by touching them and after his spirit gets dragged away the other one can visit peoples memories and kinda maybe sorta becomes a guardian angel, dont worry about it

i fuckign HATE the latter half of fnaf lore so fucking much. i dont care about the mimic. i dont care about the stitchwraith. i dont care about the glitchtrap virus. i dont care about remnant. i CARE about haunted animatronics. can we please go back to haunted animatronics???? with the ghosts and the dead people and etc?? not whatever sci-fi bullshit is going on nowadays??

.

[hinamie]

so just know, I'm healing / even though it don't feel like it

insp

[soosoosoup]

Funk branch au

Au and branch design by @bbc-trolls

[molqr]

YIPPEE YAY!! hi guy. beauty that is The Tagging Games <3

favourite colour: green!! used to be mainly that super eye-strainy yellow-green radioactive colour but all shades of green are sooo gorgeous to me i cant pick favourites. well theres one i like the most which is 'green leafs on trees when the sun shines through them' its very specific but its my favourite colour of all time forever...

last song: i had to go through ten pages of tf2 fight songs on last.fm for this. its such a funny bit but by god. anyway it was kuso breaking nou breaking lily by maximum the hormone. listened to that album for the first time a while back and this song is like my all time favourite from it, used to loop it constantly a few weeks/months ago pff

currently reading: cuckoo by gretchen felker-martin! ive yet to finish it but its really good i like it a lot... ive gotta hurry the fuck up i have to take it back to the library in like 3 days lmfao. really want to take a shot at drawning the main cast and the body horror.

currently watching: metalocalypse babyyyyyyyy. honestly wanted to just rewatch aotd again but wanted to finish rewatching the show first. supposed to be rewatching all of jjba but i hate part 2 i dont want to look at it.. also need to finish the golden girls lmao.

currently craving: b&j's cookie dough... i dont even like the cookie dough that much the vanilla ice cream is just so fucking delicious... havent had it in forever though because the price is absolutely fucking ridiculous lmao

coffee or tea: i love iced coffee and i love tea... fuck... i have to go with coffee simply because i like my iced coffees too much. tea is delicious though where would i be without it during winter.

hobby to try: all of them must be done i need to start my projects... drawing, writing, reading more, and uh, squints, making character edits that counts right. i need to learn how to use shotcut lol. been meaning to get into clay stuff or to learn to knit but i always forget to get on it lmao.

current au: cant think of any for the life of me tbh. OH SHIT YEAH my psychonauts metalocalypse au i forgot completely about that. i think dethklok being psychics would be so fucking funny they'd be so terrible. i can imagine revealing their horrors using their mental worlds so easy. i grin sinisterly. psychonauts aus are just so good always. also theyre so fun to design!! besides that all the current others are co-owned so if i was gonna mention them i'd want to make a big thing about it. like a really shitty gender reveal. (they're all really shitty, but you get what i mean right) congratulations, it's a freak!

tagging: friends and mutuals yippee yay! im shy tagging my mutuals so if you dont want to do this per some random internet fellow giving the say-so, then no pressure LOL @brookiesandcream @its-me-im-bumblebee @the-archivists-plus-one @classic-heavy @ruthytwoshakes @maplemaplemaplemaplemaple + anybody else who feels up to it, get silly w/ it!!

Get to Know Me (tagged by @slingbees)

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rules: tag 9 people you want to get to know better and catch up with

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Favorite Color(s): ORANGE!!!!! but also yellow!

Last Song:

Currently Reading: them Guardians of Ga'hoole books because when I was in the hospital I read one of them.

Currently Watching: I'm going through Red Vs Blue with some friends.

Currently Craving: this peach monster right beside me. don't tempt me.

Coffee or Tea: I haven't been drinking much of either recently, but coffee.

Hobby to Try: Start animating at home.

Current AU: I guess I've been thinking about that Simpsons comic where Smithers gets cloned, fucking hilarious they just start killing each other. Other than that, I don't know.

TAGGING:@sleepypuddding @funkyjunkyfangz @beeframennoodles100 @danklemckspankle @potatoqueensays @notevenhodgepodge @butchbarneygumble @lorogy662 @calpalsworld anyone else too!

[avephelis]

doodle page i hashtag miss my stupid gay little freaks

[constarlations]

🍊 Big Sis Nemona 🍊

my favorite Unovan/Latina Pokémon trainer ever created

Twitter Link

[imaybe5tupid]

Why bother? (Why bother?) It's gonna hurt me. (It's gonna hurt me.) It's gonna kill when- (Why bother!) -You desert me! (Gonna hurt me!)

Set after Nightmare. Laios is reminiscing and contemplating.

[katerinaaqu]

No problem at all and yeah to be fair you might not be entirely wrong either seeing how drastic the changes often were after the Doric tribes descended so you might as well be right too and people use it as an umbrella term. Dunno. Otherwise I absolutely see where you are going with this

It is alright given that differentiation in culture is hard to pinpoint sometimes. Quite frankly many times given how Greeks always had common custom and language (minus the dialects) sometimes we recognize them by stylistic choices for example in clothing or weaponry rather than some extremely different cultural detail.

Oh absolutely frequency is also very important you are absolutely right.

Oh that is bad because I would love to see the opinion of the person that came up with it and why. Although my guess is that they based this not only to the fact that we have pretty much theorized that mycenean culture is a culture based on royalty and consequently modern researchers estimate the scepter might have been of outpost importance or from some ritualistic images on rings and frescoes (not at all sometimes researchers fill in their theories even if it is not always sustained with enough evidence. For instance according to Evans the Minoans were peaceful people without war who had colonized the Aegean because he based it on British empire where he came from. Right now we know it was far from it but Evans based his hypothesis more on the fact that the frescoes he discovered did not have violent or war scenes so his assumption it wasn't totally wrong in that perspective but still not fully sustained by evidence either so it often happens that data is interpreted but oftentimes they need more evidence to crystallize)

It seems so because Homer was extremely accurate to some stuff (like I said he describes Odysseus helmet that was placed on his head by Meriones and the description fits perfectly to the actual historical helmet) and he does mention bronze a lot but it seems indeed that he tries to fill in the gaps. Although I cannot say it is completely bizarre to assume the existence of Iron to the Achaean camp given how despite the fact that Iron was not widely used it was not entirely unknown to the end of Bronze Age. Arguably Hitite people already used it for tools at that time. What's more we discovered Iron dagger to the tomb of Tutankhamun and the Iron was also coming from a meteorite. So metallurgy of Iron was not entirely unknown. Just not widely used or exported. Could perhaps for example the Greeks come in contact with hitite weapons in Troy? Doesn't seem entirely unlikely as a hypothesis. Could perhaps renounced or rich heroes have some piece of equipment of Iron? For example Achilles indeed have a dagger of Iron in his possession. Most likely improbable but not entirely unlikely either if you ask me. But yes most likely most pieces of Iron equipment in homeric poems are most likely anachronisms that Homer uses either to fill in the gaps or draw in his contemporary audience.

I see. It is possible indeee. No. It is not wrong at all and arguably I wouldn't say Homer is "influenced" by Iron age culture. He belongs in it. He is more familiar with his own time period than with the distant past. Most likely he wanted to fill in the gaps in his knowledge (even adding his own experiences being theorized that since we have so intense battle scenes that Homer did fight a war himself) or as I said above as well to entice his contemporary audience (kinda what modern retellings do today but not as blatant hahaha)

I don't think we can have a definitive answer on mycenaean kingdoms given the lack of written contemporary sources. They are undoubtedly valuable but they are more logistic books of the palatial system and do not provide us cultural information apart from that. Iron age especially 8th century is oftentimes even more obscure (thus esrning the title "dark ages" due to the lack of information) so yeah I believe the discussion is always open.

Not at all. I get shocked with new knowledge every day!

This is literally what accumulation of knowledge is my friend. Do you think the process of researching sources is vastly different? Hahaha ❤️

I need some fanfic of Odysseus trying to impress Penelope by being brutal and she's like: oh. in Sparta my brothers did kind of like that when they were 15 lol 😭 please sometimes I remember she's Spartan